Sure, here are the five great technological revolutions in filmmaking as mentioned in the article, along with their respective time periods:
The advent of the internet and mobile devices has brought about significant changes in the landscape of video content creation and consumption. With the internet, people gained access to a vast array of video content from different sources, while mobile devices allowed them to consume this content anytime and anywhere. This led to a surge in video content creation and consumption, as exemplified by platforms like YouTube, TikTok, Instagram Reels, and Facebook Video.
These platforms have given rise to new forms of content, such as short-form videos and live streaming, which were not possible with traditional television or film. They have also enabled individuals, regardless of their professional background, to create and share video content with a global audience4. This has led to a democratization of content creation, where anyone with a smartphone and an internet connection can potentially reach millions of viewers4.
The internet and mobile devices have also transformed the way video content is consumed. Viewers now have the power to choose what they want to watch, when they want to watch it, and on which device. This has led to the phenomenon of "binge-watching", where viewers watch multiple episodes of a TV series in rapid succession, a viewing behavior that was not possible with traditional, scheduled television programming.
Furthermore, the internet and mobile devices have also enabled new ways of distributing and monetizing video content. Platforms like YouTube and TikTok have created new revenue streams for content creators through advertising and sponsorships, while subscription-based services like Netflix and Amazon Prime Video have disrupted traditional television and film distribution models.
In summary, the advent of the internet and mobile devices has revolutionized video content creation and consumption, leading to a more diverse, accessible, and democratic landscape.
Eadweard Muybridge's first motion picture was created to settle a debate involving Leland Stanford, who was the founder of Stanford University. The debate was over whether horses naturally galloped with all four hooves leaving the ground or whether they always had at least one hoof down. To resolve this, Stanford hired Muybridge to develop a series of photos that would capture a horse's motion. Muybridge used multiple cameras and a wet plate and bath of silver nitrate to create the first recorded moving picture, "The Horse in Motion." This footage proved that horses do indeed have all four hooves off the ground during a gallop.